We’re proud to share that the latest episode of The Apprentice was filmed right here at Great Western Studios.

From the moment production arrived, our studio spaces transformed into the perfect backdrop for one of television’s most recognisable boardrooms. With high production values, dynamic lighting, and the unmistakable intensity that viewers love, it was an incredible experience to see the episode come to life within our walls.

Tom’s ‘Still.’ness: A New Way to Experience Tattooing

By Argjenda Miftari

We met up with Tom at Still., his tattoo studio at Great Western Studios, overlooking the canal. Bathed in natural light and thoughtfully designed, the space immediately sets the tone for a slower, more intentional approach to tattooing. Over our conversation, Tom shared the story behind Still., his journey into tattooing, and why creating a calm, considered experience is just as important to him as the work itself.

Still. is a thoughtfully designed tattoo studio offering a calm, intimate alternative to the traditional tattoo experience. Founded by Tom, located in Studio 112 at Great Western Studios, the space overlooks the canal and feels intentionally removed from the pace of the city. Rooted in wellness and care, Still. invites clients to experience tattooing as something restorative, personal, and unhurried.

Let’s start at the beginning. How did you first get into tattooing?

“I first got into tattooing towards the end of lockdown, while I was working at Joe & The Juice. One of my regular customers owned a tattoo studio, and through our daily conversations it became obvious how obsessed I already was with tattooing, even though I’d never seriously considered it as a career. I’d always assumed art was something you were just born good at, which I now know couldn’t be further from the truth.u

He invited me to help open a small coffee shop inside his new tattoo studio in Soho, which I jumped at. The coffee side didn’t last long, but I stayed on as studio manager. Over time I found myself spending more and more time watching the artists tattoo, drawing constantly, and learning informally just by being around it all. Eventually, after being caught one too many times hovering around the tattooing rather than doing admin, the owner offered me an apprenticeship but on the condition that I trained my replacement. That’s where everything properly began.”

Your work feels very considered and collaborative. Can you walk us through your creative process?

“Each tattoo starts with whatever a client chooses to share when booking – that might be visual references, loose ideas, or a personal story they feel connected to. That information helps set the tone and gives me a starting point to interpret in my own style. I create the initial design ahead of the appointment, and then on the day we sit down together and go through it properly. That part is really collaborative – we talk through the design, make adjustments, and refine it until it feels right. The final tattoo comes out of that shared moment, combining the client’s vision with my approach.”

Do you have favourite tools or techniques you love working with?

“My work is rooted in fineline tattooing, so I tend to gravitate towards single needles and tight three round liners. They allow for a lot of control and delicacy. I’m especially drawn to combining fineline work with high contrast shading, using subtle lines alongside deeper tones to create depth without making the tattoo feel heavy.”

Since you started tattooing, what changes have you noticed in the industry?

“The biggest change I’ve noticed is how saturated the industry has become in a relatively short amount of time. Traditional apprenticeships, where artists trained closely under experienced tattooers over several years, are much less common now.

Instead, there’s been a rise in fast-track routes into tattooing, short courses and so-called tattoo schools that claim to teach the craft in weeks. That’s led to more home-based studios and a lot of artists entering the industry without the depth of training that used to be standard. Tattooing takes years to properly understand, not just technically, but ethically and professionally, and that long-term learning process is increasingly being overlooked.”

What do you hope clients remember about you years after their tattoos have healed?

“More than anything, I hope they remember how the experience made them feel. That their time at Still. felt calm, considered, and genuinely attentive, and that getting tattooed felt like something they could relax into rather than endure. If years later they still associate their tattoo with a positive, grounding experience, that matters just as much as the tattoo itself. ”

How do you support clients who feel unsure, or who change their minds during the process?

“If someone feels unsure or starts to rethink their idea, I always encourage them to slow the process down. Tattooing is permanent, and it’s important that clients feel confident and settled before moving forward.

I’m very clear that there’s no pressure to decide quickly, I’m not going anywhere. Taking time to sit with an idea is often the best way to arrive at something that truly feels right. My priority is always that clients feel comfortable, listened to, and certain about what they’re getting. “

Are there any new projects or directions you’re excited to explore next?

“I’ve recently started exploring fashion more seriously, designing my own clothing and merchandise. It’s something I originally studied at college, so it’s been really refreshing to return to that and apply the same mindset I use in tattooing to a different medium.

I’m also interested in pushing tattooing beyond skin. I recently tattooed a pair of trainers, and I’m keen to explore how the technique translates onto other leather goods, furniture, and garments. It feels like a natural extension of the work, just in a different form. “

How does having your own studio at Great Western Studios shape the way you work day to day?

“Having my own studio at GWS has had a huge impact on how I work day to day. The building itself is beautiful and thoughtfully designed, which naturally sets the tone for a calmer, more focused way of working. The team are incredibly supportive and accommodating, which has made it easy to run the studio exactly as I need to, without unnecessary friction. It feels like a place built to let creative businesses operate properly, rather than work around limitations. “

What’s it like being surrounded by other creatives at GWS?

“Being surrounded by other creatives has been genuinely energising. There’s a shared mindset across the building, from artists to designers to makers, that aligns closely with the kind of clients and work I’m drawn to. It creates a sense of community without distraction, and it’s inspiring to be part of an environment where people are focused on craft, quality, and growth. It’s a place I’m excited to grow within.”

What’s the most unusual tattoo request you’ve ever received?

“The most unusual request I’ve received was one that crossed a clear ethical line. I was asked to tattoo an extremist symbol, which I found deeply uncomfortable and declined immediately. Experiences like that reinforce how important it is to have firm boundaries around what I’m willing to put my name and work behind. “

And finally, where’s your favourite local (Notting Hill) spot to unwind?

“I’m a sucker for Soho House, especially the cinema, it’s one of my favourite places to properly switch off. When I’m not there, you’ll occasionally find me at Pepperon Café, having breakfast alongside their Chow Chow, Coco, which is always a good start to the day.”

Tom’s approach to tattooing challenges the pace of the industry, offering something slower, more intentional, and rooted in care. Still. is not just a studio, but a space where creativity, craft, and wellbeing intersect, and one he’s continuing to grow from within Great Western Studios. To learn more about his work or book an appointment, visit https://www.instagram.com/tommarkwick/

We are delighted to announce that our studio holder, Emily Young, has been honoured with the prestigious “Lorenzo il Magnifico” Lifetime Achievement Award at the XV Florence Biennale 2025.

As daylight hours shrink and evenings draw in, many creatives find it harder to stay motivated. But winter does not have to mean stagnation, it can be a season for reflection, growth, and inspiration. Great Western Studios provides the perfect environment and community to help you thrive creatively, even during the shortest days.

From Architecture to Immersion: The Creative Journey of Estelle Asmaa Alanbari

By Argjenda Miftari

From architecture to visual art and immersive storytelling, Alanbari’s practice bridges disciplines to create experiences that resonate on both emotional and sensory levels. We caught up with her in her canal-side studio 115 based here at Great Western Studios, to hear more about her creative philosophy, her most meaningful projects, and the inspirations that continue to shape her work.

What’s your guiding philosophy when working with clients, and how did you develop it?

“My guiding philosophy is rooted in collaboration and emotional resonance. Whether I’m working with a cultural institution, a brand, or a theatre company, I see my role as both interpreter and amplifier – translating a core idea into an immersive experience that audiences can feel. This approach developed organically through working across disciplines: from the precision of spatial design, I learned how vital structure and flow are; from visual art, I gained a sensitivity to symbolism and mood; and from performance and film, I embraced the power of storytelling. Above all, I’ve found that the best work comes when there’s genuine dialogue with the client – when I listen closely, challenge gently, and build something bold together.”

By bringing together her experience across architecture, visual art, and performance, she creates projects that are layered, considered, and deeply engaging. Her emphasis on listening shows how important trust and dialogue are in her creative process.

Which client project has been the most meaningful to you, and why?

“Working with Milan-based furniture designer Piana was especially meaningful because it allowed me to align environmental responsibility with commercial storytelling in a tangible, impactful way. For the Milan International Furniture Fair, I created an immersive installation that not only showcased their sustainable furniture line but also made their commitment to eco-design impossible to ignore. The space was constructed using video projections and music to bring the majestic beauty as well as the urgency of the endangered forests and glaciars to the central Milan showroom. The result? Piana’s stand stood out for its aesthetic and for its message. It drew consistent footfall, generated meaningful press coverage, and positioned the brand as a forward-thinking leader in sustainable design. It was a clear example of how environmental values, when thoughtfully embedded in the creative process, can drive both awareness and commercial success.”

An inspiring reminder of how design can amplify sustainability messages while still capturing attention.

Can you share a challenging experience you faced in your journey, and how you overcame it?

“A particularly challenging but fulfilling project was designing a brand activation for a client with a very tight budget. This was overcome by spending as much time as necessary to find the most efficient use of funds.”

Proof that resourcefulness and imagination often go hand-in-hand.

How has your style or technique evolved over the years?

“I started my career as an architect, then as a visual artist, and now my practice sits between both.”

This dual background continues to shape how Alanbari approached projects, balancing structure with symbolism, functionality with feeling. Her journey shows how fluidly disciplines can merge to create something new.

What has been your favorite exhibition or show to date, and why?

“Nature is by far the most talented artist and designer. I get inspiration by spending time in nature as all geometric proportions, colours and light are perfectly construed yet constantly changing.”

How do you benefit from being surrounded by diverse creatives at Great Western Studios?

“There is a certain energy, a buzz that comes from being surrounded by other creatives in an organised well managed office complex.”

Community is at the heart of GWS, and her words capture that perfectly. Inspiration isn’t always linear; it’s often sparked by chance conversations, shared energy, or simply being around people who are driven to create. For her, the studios aren’t just a workspace but a living ecosystem that fuels new ideas.

What’s one element of the GWS model you hope grows, and that would benefit you as an artist?

“Perhaps having a digital or physical wall where studio holders can share opportunities and roles they are looking to fill. It would give us a more trusted network to pick from before advertising roles to the wider public.”

One artist (living or dead) you’d love to share a studio with?

“Pipilotti Rist.”

A perfect choice. Rist’s bold, immersive, and emotionally charged installations resonate strongly with her own practice, making the pairing a natural fit. One can only imagine the creative sparks that would fly in such a shared studio.

Favourite colour you always return to?  

“Navy because it is soothing like night time yet and when seen next to other colours it provides contrast for other colours to shine bright.”

Alanbari’s journey shows how architecture, art, and storytelling can merge to create bold, resonant experiences. Rooted in collaboration and inspired by nature, her practice proves that creativity thrives where structure meets emotion. To learn more about her work, visit alanbari.co.uk.

The end of summer often comes with a surge of energy – fresh projects, packed schedules, and ambitious goals. But while motivation is high, it is also the time when many of us risk running too fast, too soon. At Great Western Studios, we believe creativity and wellbeing go together, and avoiding burnout is key to sustaining inspired work.

The Chalcot Care Way: Supporting People, Building Communities

By Argjenda Miftari

Down the bright atrium of Great Western Studios, just steps away from the buzz of the café and a stone’s throw from the canal, you will find the welcoming studio of Chalcot Care. And one thing is always for sure … You leave their studio smiling, sometimes even in stitches, and always reminded that kindness and fun can absolutely go hand in hand with serious, important work.

Built on over 15 years of experience, Chalcot Care places healthcare professionals across both the NHS and private sectors, from nursing homes to private hospitals. But what sets them apart is the way they do it with warmth, and a real sense of care, not just for their clients, but for each other.

“Let’s Do This!”

That’s the unofficial motto of the Chalcot Care office, a phrase shouted across desks when energy dips or a big job comes in. It is fitting, because the team operates with a kind of fast-paced optimism.

Jay, one of the founders, shared what inspired him to start the company:

“I have always believed that caring for the elderly and those less able than ourselves is one of the most important responsibilities we have as a society. Growing up, I was taught the values of compassion, respect, and service, and those values really stuck. Chalcot Care came from the desire to match dedicated, skilled carers with the people who need them most, not just to fill shifts, but to create meaningful connections.”

And it shows. The team is not just placing people into jobs, they are investing in careers, in dignity, and in relationships that matter.

Jay may have accidentally earned himself the title of “Most likely to turn a 5 minute chat into a TED talk”, but honestly? When he talks about their mission, you kind of want to sit down and let him talk for 20 minutes straight.

Growing More Than a Business

Since its start with just two people, Chalcot Care has grown into a close-knit team of five, all working hard.

When asked what they are most proud of, they did not just talk about their rapid growth, or the contracts they have landed, they talked about people. “What we are most proud of is that Chalcot Care has become a safe and supportive space where people can grow in their careers. We provide opportunities for carers to gain training, develop professionally, and genuinely thrive. And beyond that, we are giving back, supporting charities like Adopt a Grandparent, and doing our best to create a positive ripple effect in the community.”

From Chaiiwala Runs to Fast-Paced Challenges

Malik, who joined Chalcot two years ago, claims he got the job on his way to get tea at Chaiiwala, but there is a very strong reason as to what inspired him to join the team:

“I am still here inspired by the opportunity to provide staff who support others and make their daily lives easier. What drew me in was the welcoming environment and the supportive team around me, people who share my values and morals. And of course, I’ve stayed partly because I’m still the undisputed FIFA champion in the room, and I’m not ready to give up that title just yet.”

There is something about the vibe in Studio 32 that balances that playful energy with serious commitment. For Darren, it is that fast pace and constant variation that keeps him engaged:

“I enjoy the challenges the role entails and the fast-paced environment.” Everyone brings their own energy to the mix, but the thread tying them together is their drive, and a genuine sense of purpose behind the work.

Finding Balance and Growth

We love asking what studio holders do to switch off because we think it says a lot about the people behind the work. For Rez, unwinding means cruising on his motorbike, catching up with family, or walking along the canal, just down from the studio:

“Time alone is really important to me. It helps me reset, reflect, and return to work with a fresh perspective. Sometimes I will walk the canal just to clear my head or think through new ideas, for work and for personal goals.” We can confirm excellent spot for a reset. GWS really does have those hidden pockets of peace. And it is not just about recharging. It is also about growing. Marwaan reflected on how Chalcot has helped him do just that, not just professionally but personally:

“The moment I stepped into the world of Chalcot and truly understood what we stand for, I knew I was in the right place, somewhere I could grow, develop, and do work that actually matters. We have built a culture where it is safe to raise concerns, ask for help, and collaborate openly. That kind of trust does not just make work better; it makes the care we deliver stronger.”

Beneath all the banter and energy, there is a deep sense of responsibility and pride in the work they do.

Home at GWS

Being based at Great Western Studios has clearly shaped how Chalcot Care works, and how they care for their own team.

“The team at GWS makes us feel truly at home, providing excellent service whether it is the front of house support or helping with any issues that arise. Its location offers the perfect balance – peaceful walks along the canal to disconnect from work. GWS has also created a safe and welcoming space for our staff to work flexibly, with access to multiple areas such as meeting rooms, the café, the atrium, and the courtyard. It is an environment that supports both productivity and wellbeing.”

Their favourite team spot? The atrium, where weekly meetings happen.

“It is a space that brings us together, sparks collaboration, and makes work feel even
more enjoyable.”

The One-Word Vibe Check

When we asked them to sum up their studio vibe in one word, the answer came quickly: Forward Thinking.

From building careers in healthcare to championing charities, teasing each other over FIFA rankings, and transforming a recruitment office into a space that feels like home, the team at Chalcot Care is definitely looking ahead. And luckily for us, they are doing it right here at GWS.

You can find Chalcot Care in Studio 32. Make sure you stop by to say hi but be warned – you may laugh a little too much, be recruited, or pulled into a very passionate FIFA debate.